For women playing video games, it’s (still) a man’s world

Is the video game industry leaving half the population underserved?

Jana Arbanas

United States

Kevin Westcott

United States

Chris Arkenberg

United States

Jeff Loucks

United States

There are just as many women playing video games as men and boys. In this year’s Digital Media Trends study, approximately 60% of Americans surveyed, across genders, spend an average of nine hours per week playing video games. However, there are distinct gender differences that may be fragmenting gamers and limiting growth of key segments, like live service games (online multiplayer games).1

Despite the popularity of gaming, women still seem to be looking for their place in the video game community. Online games have been conducive to bullying and there is still a perception that game experiences and imagery skew toward the interests of men.2 This appears to be impacting how and where women spend their gaming time.

Our survey finds that while nearly half of gamers who are men say they spend most of their gaming time playing one or two live service games, just 29% of women gamers do so.3 Indeed, half of women gamers surveyed are not interested in multiplayer games, and 69% prefer simple mobile games. With so much emphasis on brand and franchise opportunities in live service games, and so much money being spent to develop game experiences, are providers leaving half the population out?4 We also see that 25% of surveyed women gamers and 16% of men gamers (one in five U.S. gamers overall) started playing video games in the past four years—after a supposed pandemic bump. How can game companies work to ensure these gamers keep playing? For the more casual gamers (who our survey indicates are more likely to be women), how can companies draw them to engage with big, story-driven games and live service games?

The video game industry has become very successful but is also under pressure to control the growing costs of developing blockbuster titles and operating live service games.5 Cost cutting may help but game companies also seek more players that are paying for games, digital goods, and game experiences. Cultivating more women gamers may help but to do so, game companies should contemplate how they can create an environment that attracts more women to boost engagement and revenues.6

Cultivating a more welcoming environment in live service games

One way that could bring more women into live service games is by addressing issues of bullying and harassment. Although almost half of both men and women gamers surveyed believe online multiplayer games have too much bullying and harassment, they may be impacted by it differently. About 30% of surveyed men who play games consider bullying to be part of the experience, but only 19% of women gamers surveyed feel this way.

Game companies could help by driving stronger moderation of player chatter and better socialization of norms. Among gamers surveyed, 57% of women and 53% of men agree that video game publishers should do more to combat bullying and harassment in their games. Many live services have tools to monitor and moderate text and audio chat, but the integration of generative artificial intelligence could make it more powerful, adaptive, and nuanced. Early research suggests that large language models may be more capable of identifying actor intentions, moderating toxic comments, and rewarding positive contributions.7 To be clear, this isn’t about making games less competitive but, rather, helping to ensure more positive experiences for more people.

Producing more non-gaming experiences held in live service games, like larger-than-life concerts and promotional events, could be another way to attract more women into live service games. So far, women gamers overall are not as engaged with these live, social, and non-gaming entertainment elements of gaming: Among surveyed gamers, only 26% of women would like more non-gaming experiences inside of their favorite online games, compared to 40% of men. This may not be surprising given that more women surveyed prefer solo games over multiplayer. Is this a marketing challenge for live service games to attract more women, or a broader challenge to the industry to reset the perception that gaming is an experience oriented toward men?8

Game companies that are running live service games should also consider bringing in more brands and franchises that lean toward women’s interests, and they should work to empower the women creating online games-related content, like livestreams and videos. The growth of gaming over the past decade has gone together with the rise of social live streaming services and streamers, but women creators are facing challenges in growing their profiles.9 Game companies should work to not only promote women creators and facilitate more brand partnerships with them, but to also support them against potential backlash. In this way, game companies could leverage creators and brands to help further normalize women in gaming and encourage game experiences to become as diverse as the generations that enjoy them. [Read article Audiences are becoming increasingly diverse, and they expect content that reflects the world around them]

Solo, story-driven adventures have the broadest appeal

Another approach may be in reinforcing investment in the kinds of games that already have broader appeal. About half of gamers surveyed, (both men and women,) prefer playing solo, story-driven games. Such games are typically not solely based on combat and have increasingly featured strong women characters, and development of some of the biggest recent titles have been led by women.10 There is still work to do. A 2023 analysis of 13,000 video game characters showed that these fictional men speak twice as much as the fictional women.11

And yet, bringing more gender diversity into solo story-driven games may be helping: Among women who started gaming in the past two years, 43% surveyed prefer solo adventures in rich story-driven games. Such games could attract more women to gaming. Delivering these games to next generation mobile devices could also help. While these games can be very expensive to develop and market (“AAA” titles can cost over US$200 million12), they may be poised to reach larger audiences, including TV and film executives.13

Our data shows that gamers may be especially drawn to crossovers: Forty percent of gamers surveyed wish more of their favorite movies/TV shows had video game experiences, 41% wish more of their favorite video games had movie/TV show adaptations, and nearly half of Generation Z and millennial gamers want to see more celebrity actors featured in video games. In 2023, the top-selling video game was a story-driven adventure based on a popular film franchise.14 Crossovers can create more novel experiences for fans, bring video fans into gaming and vice versa, and create more monetization opportunities by bringing gaming and video companies closer together. However, our study shows that there is more interest in crossovers among men, which could further indicate that this demographic is more engaged with gaming and game-related content as part of the broader media landscape.  

The largest game companies not only deliver experiences to massive global audiences, but they can also play a role in shaping culture through the immersive stories and social experiences they deliver. More game companies should consider playing a stronger role in supporting and empowering women: as gamers, streamers, employees, and innovators. Gaming companies in general should also be working to reinforce school programs that encourage more girls to pursue careers as game developers and producers, enabling them to further diversify their workforce.15 Cultivating greater goodwill with women could go a long way in engendering trust and creating a more welcoming environment within the industry.16

In 2024, gaming is big and there are just as many women playing video games as men, showing how much progress there has been. But they still tend to occupy different worlds. At the same time, the costs of developing and operating games are larger than ever.17 Engaging and supporting more women in gaming could drive greater revenues and innovation across the industry.

Key takeaways:

  • In the United States, just as many women play video games as men, but they tend to play in different gaming categories, fragmenting the opportunities for monetization and expansion. In general, men that game are more engaged with, and better represented by, the games industry. This could be a missed opportunity.
  • Live service games are dominated by men. How can services bring more women in? With better moderation in live service social games, more representation of women from studios and brands, more support for women game streamers, and more non-gaming live events that reach broader demographics.
  • To expand gaming audiences—and expand intellectual property—studios should also continue to deliver rich, story-driven solo adventures that have more universal appeal. Unlike with mobile games and live service games, women gamers are just as likely to engage with these games as male gamers. Although these games can be very expensive to produce, developers and publishers may be able to recoup more costs if more women are playing.

Methodology

These insights are based on an online survey of 3,517 US consumers that was conducted in October 2023. Throughout this report, we reference generations. Our generational definitions are as follows: Generation Z (1997-2009), millennial (1983-1996), Generation X (1966-1982), boomers (1947-1965), and matures (1946 and prior). The survey was fielded by an independent research firm and all data is weighted back to the most recent Census to give a representative view of US consumers.

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Jana Arbanas

United States

Kevin Westcott

United States

Chris Arkenberg

United States

Jeff Loucks

United States

Endnotes

  1. Our survey asked respondents about the gender identity they most closely align with. Only respondents who identify as “women” or “men” are analyzed in this chapter. Those who identified as nonbinary, transgender, agender, or another gender category were not included in the analysis due to a low sample size.

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  2. Andrew Fishman, “Women in gaming: A difficult intersection,” Psychology Today, January 8, 2022; Daria J. Kuss, Anne Marie Kristensen, A. Jess Williams, and Olatz Lopez-Fernandez, “To be or not to be a female gamer: A qualitative exploration of female gamer identity,” International Journal of Environmental Research and Public Health 19, no. 3 (2022): p. 1169.

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  3. To determine the percentage of “gamers” we asked, “During a typical week, approximately how many hours do you spend playing video games of any kind across all devices?” Anyone answering between “2 hours or less per week” and “more than 30 hours per week” versus “I don’t ever play video games,” qualified as a “gamer.”

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  4. Jeffrey Rousseau, “95% of studios are working on or aim to release a live service game,” GamesIndustry.biz, February 2, 2024.

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  5. Matthew Ball, “The tremendous yet troubled state of gaming in 2024,” MatthewBall.co, January 23, 2024.

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  6. Tomoko Yokoi, “Female gamers are on the rise: Can the gaming industry catch up?,” Forbes, March 4, 2021; Vickie Chen, “Leveling up the gaming gender gap,” Forbes, August 24, 2023.

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  7. Henrik Axelsen, Johannes Rude Jensen, Sebastian Axelsen, Valdemar Licht, and Omri Ross, Can AI moderate online communities?, ArXiv.org, 2023.

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  8. Alyssa Mercante, “Dear video game industry, please name a woman,” Kotaku, November 14, 2023.

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  9. Katie Mather, “Pokimane speaks out about the double standards female streamers deal with,” In The Know, June 27, 2023.

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  10. Alexandria Dale, “15 of the best video games made by women, for women,” Glamour, February 11, 2022. 

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  11. University of Glasgow, “Largest study of video games reveals men say twice as much as women,” May 24, 2023.

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  12. Amelia Zollner, “Major publishers report AAA franchises can cost over a billion to make,” IGN, May 1, 2023.

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  13. Chris Arkenberg, Jeff Loucks, Kevin Westcott, and Hanish Patel, “Cinematic and interactive universes: Games and studios come together to bring the biggest stories to life,” Deloitte Center for Technology, Media & Communications, accessed February 2024.

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  14. Eddie Makuch, “The 20 best-selling games of 2023 in the US,” GameSpot, January 19, 2024.

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  15. Patricia Karounus, “5 women share how they made your favorite video games,” Refinery29, March 23, 2023.

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  16. Cristina Criddle, “How long before gaming sheds sexist attitudes?,” Financial Times, October 17, 2023.

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  17. MatthewBall.co, “The tremendous yet troubled state of gaming in 2024.”

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Acknowledgments

The authors would like to thank Akash Rawat for his work in analyzing survey data and highlighting insights, as well as his contributions to shaping the direction of the overall study. They would also like to thank Sathiya S. and Ankit Dhameja for their contributions to survey development and secondary research support, and Gautham Dutt for his design and visualization support. The authors would like to recognize Andy Bayiates and Molly Piersol for their partnership, along with their editorial and design contributions. The authors also want to sincerely thank Kevin Downs and Amy Booth for their support and guidance throughout the process.

Data science and survey advisory by: David Levin

Cover image by: Manya Kuzemchenko